It is really an interesting fact that usually most favored subculture is cooked up by someone that seeks profit only, and then is fed to some hungry young crowd of fans. It’s not always true in Japan, though. The skill is perfect for the art’s sake is what comic market followers are craving for.
Yoshishiro Yonezawa, a novelist, critic along with a passionate supporter of popular manga subculture, came up with a perception of founding an organization, market which is to be open for all the non-professional manga artists who form their unique circles called doujinshis to create manga mimic artwork and magazines (which are called doujinshis, too). The idea became extremely popular as Comiket, the most important comic market on the globe, takes place in Japan twice yearly for several days back to back each time in winter along with summer. There are far more than 35 thousand circles taking part along with more than half a thousand attendees.
It is just a space where freedom of expression is preached over a major, and organizers never thought of so large successful of their creation. Before Comiket, young adults who studied in senior high school or university, taken part in comic markets as amateurs, and ceased to participate in after graduation. But also in mid-seventies this changed drastically. It came to be not only a hobby, however a lifetime passion, numerous artists got appreciation and followers due to a growing popularity of doujinshi phenomenon. There are far more than 2000 doujinshi markets occurring in Japan each year, and Comiket is in no way the most popular one.
The idea have spread far beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China as well as United states of america. The amount of doujinshi circles mushroomed as markets provided great opportunities for a many amateur artists and mangakas (manga artists).
First the predominant part of doujinshis creators were women, about eighty percent. In the 1980s more males became interested, and now the ratio seems to favor female artists only slightly.
We conclude that doujinshi is often a visual cultural phenomenon that is shaped mostly by youth, yet its meaning and consequences are of global importance.
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